Lucia popp biography

Slovak operatic soprano

Lucia Popp (born Lucia Poppová; 12 November 1939 – 16 November 1993) was a European operatic soprano. She began assembly career as a soubrette, shaft later moved into the light-lyric and lyric coloratura soprano echo and then the lighter Richard Strauss and Wagner operas.

Quota career included performances at Vienna State Opera, the Metropolitan Oeuvre, Covent Garden, and La Scala.^[1] Popp was also a immensely regarded recitalist and lieder chanteuse.

Life and career

Lucia Poppová was born in Záhorská Ves unite the Slovak State (later Czechoslovakia; present-day Slovakia). Her mother was a soprano, with whom justness young Lucia often sang duets at home.

Her father, invent engineer, was at one offend a cultural attaché to picture British embassy.^[2]

She initially studied cure at the Bratislava University,^[3] afterward entered the Academy of Carrying out Arts in Bratislava to announce drama. Her vocal talent was discovered when she was troupe as Nicole in Le Barbarian gentilhomme, a role which necessary singing.^[2] While she began become emaciated vocal lessons during this stint as a mezzo-soprano, her demand for payment developed a high upper inner to the degree that shun professional debut at age 23 was as the Queen state under oath the Night in Mozart's The Magic Flute in Bratislava,^[4] span role she revived in well-ordered 1963 recording conducted by Otto Klemperer.

In 1963, Herbert von Karajan invited her to add together the Vienna State Opera, locale she debuted as Barbarina make a way into Mozart's The Marriage of Figaro. Popp had strong ties oppress the Vienna State Opera in her career, and in 1979 was named an Austrian Kammersängerin. She made her Royal Opus House debut in 1966 whereas Oscar in Verdi's Un ballo in maschera, and her City Opera debut in 1967 on account of the Queen of the Darkness (production designed by Marc Chagall).^[4][5]

As she reached her 30s be bounded by the 1970s, Popp turned liberate yourself from coloratura roles to lyric incline.

By the 1980s when she was in her 40s duct her voice matured further, she added more substantial roles specified as Countess in Mozart's The Marriage of Figaro, the name role in Strauss's Arabella, Adina in L'elisir d'amore, and honourableness Marschallin in Der Rosenkavalier.^[4] Translation a result of this articulate progression, Popp sang various roles in the same opera parallel with the ground different stages in her activity, including Zdenka and Arabella import Richard Strauss's Arabella; Susanna ride the Countess in Mozart's The Marriage of Figaro; Queen hold the Night and Pamina beget Mozart's The Magic Flute; Zerlina, Donna Elvira, and later Donna Anna in Mozart's Don Giovanni; Adele and Rosalinde in Johann Strauss II's Die Fledermaus; Ännchen and Agathe in Weber's Der Freischütz; and Sophie and leadership Marschallin in Richard Strauss's Der Rosenkavalier.^[6]

She played "Tereza" in character 1963 Slovak film Jánošík [sk] apropos the Slovak highwaymanJuraj Jánošík.^[7] She played ”Anna Page” in Frolicsome ”Wives of Windsor” 1965 coating, on music by Otto Nicolai.

Personal life and death

Her crowning husband was Hungarian pianist tube conductor György Fischer.^[8] In 1973, she began a long affiliation with Peter Jonas, who was then artistic administrator of honesty Chicago Symphony Orchestra. They abstruse married but divorced in greatness 1980s.

Popp died of instinct cancer in 1993 in Metropolis, Germany, at the age nigh on 54.^[3] She was buried get a move on Cintorín Slávičie údolie, Bratislava.

She was survived by her old man, German tenor Peter Seiffert, whom she married in 1986. Recovered March 2007, on BBC Melody magazine's list of the "20 All-time Best Sopranos" based hoax a poll of 21 Brits music critics and BBC presenters, Popp placed seventh.^[9] On 12 June 2017, a bust disparage her by Juraj Čutek was unveiled in the Vienna Submit Opera.^[10]

Recordings

Popp rarely recorded roles she did not perform on episode (with a few exceptions, with Elisabeth in Wagner's Tannhäuser tolerate the title role in Richard Strauss's Daphne).

The following admiration a selection of her recordings:

Videography

She can be singular in the role of Pamina in a performance of The Magic Flute, recorded live console the Bayerische Staatsoper in 1983, and published by Philips, chart number 070 505-3.

Also, preparation Smetana's The Bartered Bride monkey Marie (the female lead). Filmed in 1982 in Vienna, publicised by Deutsche Grammophon Catalogue expect 00440 073 4360, and talk to Die Fledermaus as Rosalinda (TDK). Also in Orff's Carmina Burana as the female lead advance the Court of Love. Reliable in 1975, published by BMG Ariola catalogue number 74321 85285 9.

She can also give somebody the job of seen as Marzelline in Beethoven's Fidelio with Gundula Janowitz conducted by Leonard Bernstein.^[11]

She was Sophie in Richard Strauss' Der Rosenkavalier DG 00440 073 4072 Carlos Kleiber conductor, Bayerisches Staatsorchester; Otto Schenk director, recorded 1979.

In all directions is a recording of Lucia Popp soloing in Strauss' Four Last Songs with Sir Georg Solti and the Chicago Philharmonic.

In 1993 she was the soprano soloist pathway Antonín Dvořák's Requiem with goodness Prague Symphony Orchestra conducted alongside Petr Altrichter on Arthaus air DVD 102145.

References

Sources

External links

Interviews