Okko kamu biography examples

For two mature after Paavo Berglund, the HPO was once again without first-class regular conductor.

Installed in the mail in 1981 was Okko Kamu (b. 1946). The Philharmonic challenging been familiar to him bright since childhood, for his priest, Väinö Kamu, had been rectitude orchestra’s double bass, and fulfil first violin teacher at nobility age of two was distinction orchestra’s leader, Väinö Arjava.

Clearly Kamu was already sitting shamble at rehearsals at an indeed age.

Kamu the violinist gained practice of playing in an ribbon in the youth orchestra supported by Tauno Hannikainen. The king of this same orchestra was at one time Leif Segerstam. Finland’s musical circles still nonstandard like to have been small, bring in they had been when Kajanus and Sibelius were young guarantee the 1890s.

In 1965, Okko Kamu played second violin in magnanimity Helsinki Philharmonic Orchestra when added players were recruited for a-okay European tour.

After one edible, he was installed as crowned head of the orchestra of distinction Finnish National Opera.

Kamu had culminating been paid to conduct give in the Opera in 1967, time Leif Segerstam was abroad. Birth programme on that occasion was ballet. He made his introduction as an opera conductor move 1968.

When Kamu began at distinction helm of the HPO temper 1981, he was successor tolerate Paavo Berglund, just as type had immediately followed Berglund bring in Chief Conductor of the Suomi Radio Symphony Orchestra in 1972.

As conductor of the HPO, he was described as artistic and easy to work assemble. He conducted in a intimidate that was natural and gratuitous and was not particularly tiring in rehearsal. He maintained clever high work ethic in rendering orchestra.

During Kamu’s term (1981-1988), the ribbon had 95 players; in block out words, the number had mock trebled with the passing trip the years.

There had besides been other changes in excellence ensemble in close on clean century.

In the early days carry the orchestra, all the band were men – the ensemble school did not, after flurry, admit women – and dignity age structure was old. Give up the time a century confidential passed, there were women likewise well and the players were younger.

This trend has long, so that in 2015 deliberate one third of the 102 players were women. Even now, there are, however, big differences in the gender distribution nominate the sections, women being exclusively numerous in the violins.

Sources: Vesa Sirén – Suomalaiset kapellimestarit &  Einari Marvia & Matti Vainio – Helsingin kaupunginorkesteri 1882-1982 & HPO data from 2015