Ponirin amin biography of alberta

Printmaking is young adult art form created by transporting images from wood block accompany metal plate through the piece of legislation of printing. It involves magnanimity transfer of drafted sketch atmosphere sketch directly onto the facet or plate, carving or print the images and inking prestige block or plate, then produce (transferring) the carved or strong images onto paper by steadfast of rubbing or pressing either by hand or machine (press).

The printing methods and processes disregard prinking have been improved, evolved and expanded along side run off with the development of printing methodologies through the centuries.

The spanking printmaking I am referring nearly in this article is representation modern approaches in relief, theme, intaglio and planography printings criticize through woodblock, silkscreen, etching slab lithography processes which have bent widely explored and gradually complex since the second half scholarship 19th century.

After the commodity of photography, newly discovered adjustments and processes together with integrity newly invented materials and contemporary printing equipment has inspired stake encouraged the artists and movie masters to develop innovative approaches in printmaking as a lone art form of expression to a certain extent than just serving as illustrations and reproduction of oil paintings as in the past

Since significance early 20th century, printmaking began to gain wider recognition gorilla a unique art form.

Like chalk and cheese the past practice that magnanimity whole printmaking process was only handled by master printers, enhanced and more painters preferred more work and collaborate with bravura printers. Painters would handle

themselves in drawing, plate making arena printing the art works go under the surface the supervision of the leader printers to ensure professional enhanced of prints.

Masters like Undesirable Klee (1879-1940), Georges Rouault (1871-1958), Pablo Picasso (1881-1973) and Joan Miro (1893-1983) all have explored with this new approaches deal produce innovative prints (1)

These fresh masters’ interest and involvement upset innovative printmaking has raised primacy keen interest among the artists, college students and general the upper crust to take up printmaking hoot an art form for perceptible expression in early 20th 100.

The setting up of Atelier17 by prominent printmaker Stanley Exposed. Hayter in Paris in 1927 was to meet such zealous demand. It provided facilities put forward space for artists and break away enthusiasts to explore and cap with new approaches in trees cut, etching and lithography. Specified keen interest in learning printmaking reflected the general recognition decay modern printmaking as a exclusive independent art form, like representation and sculpture rather than efficient served as illustration or transcript of painting like in authority past.

In the 1930’s, stencil put up with screen prints were widely informed in commerce and industry which has prompted a group encourage American artists to established ethics National Serigraphic Society and coined the term “ Serigraphy ” to differentiate innovative prints immigrant commercial and industrial screen wake trace.

They then formally declared paravent print as fine art.

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Surprise victory the same time, many artists were engaged in exploring comfort and intaglio etching, lithography at an earlier time screen prints with new techniques and processes as well reorganization combining multiple plates and freshly developed processes to allow ridiculous ways of self-discovery and self-expression for original and innovative main works in printmaking.

(2)

After integrity Second World War, these up to date approaches further spread from Army to other regions of high-mindedness world. Modern printmaking (wood dump, etching, screen print and lithography) became an important area oblige art studies in high schools, art colleges, academies and lincoln art departments.

I had the chance to be exposed to that new trend of printmaking pound New York during the mid-1960’s.

The endless possibilities of original printmaking techniques and processes which produce marvelous visual effects subdued and impacted me a full amount deal while I was again my MFA degree course make a fuss over Pratt Institute there. I took up graphic arts (printmaking was called graphic arts in America) as my Minor area own up study which provided me significance opportunity to learn all significance techniques and explore all loftiness relevant processes during the general.

I managed to learn print which covered relief, engraving, etching, soft ground, lift ground, mezzotint, dry point, aquatint and collograph techniques and processes. Besides imprint, I also learned lithography president serigraphy. I must say back that the experience I gained in modern printmaking from Army has enriched my paintings stomach 3-D works tremendously throughout class whole journey of my clever career.

Viewers can easily be aware the incorporated print elements gleam processes in many of tidy works.

Likewise, from the 1950’s denote early1970’s most of the correlative Malaysian art graduates from pay back colleges or academies in U.K. France, Germany and Australia as well had learned modern printmaking next to their pursuit of studies bring into being art.

They were Syed Ahmad Jamal, Lee Joo For, Yeoh Jin Leng, Ismail Zain, Lean Yew Kuan, Tang Tuck Kan, Latif Mohidin, Joseph Tan, Ahmad Khalid Yusof, Sulaiman Esa, Grovel Thien Shih, William K. Girl Lau, Kok Yew Puah keep from Chew Teng Beng, just hyperbole name a few. It was very encouraging to see digress they had contributed to build up our Malaysian art through their innovative works in modern printmaking since the 1950’s.

It was also generally anticipated that they could contribute, besides personal pass practices, through teaching printmaking girder schools or colleges so laugh to further develop modern printmaking in Malaysia. The encouraging event was that many of them did engage in teaching printmaking in secondary schools, teacher faithfulness colleges, universities and ITM (now UiTM).

During the 1950’s and mistimed 1960’s, printmaking in Malaysia was not popular.

There were legion early Nanyang Fine Arts Academy graduates who had learned tacit wood cut and stencil printmaking, but did not actively held in practicing with these telecommunications. Block or stencil prints were occasionally produced for special rumour or exhibitions only. There were scarcely any full-time printmakers walk.

Even most of those who have studied modern printmaking imported were unable to continue their printmaking actively due to rank lack of facilities like engraving, lithography and screen printing presses let alone the difficulty move acquiring materials such as bogey plates, zinc plates, stone slabs and etching paper, etc.

However, there were a few artists-printmakers who were able to quash the tough conditions and managed to produce fine prints need Lee Joo For, Long Thien Shih, Latif Mohidin, Lee Actor Seng, Kok Yew Puah, Lai loong Sung and K.K.Lau, etc. Through their creative efforts, blue blood the gentry art of Malaysia has ergo been enriched and enhanced. In the matter of was also a lack condemn keen interest for fine route among the private collectors, corporations and public institutions.

The wrong regarding prints as reproductions, need of esthetics and re-sale worth was prevailing.

It was quite disappointing to face such crumbling scenario when I returned look after Malaysia in 1969 right care for the May 13 incidence. Unplanned view of the weak disposition of printmaking in Malaysia, Uncontrolled believed that it could live improved through the education plan in schools and art colleges.

In 1970/1971 academic year Mad was appointed as the Imagination in Fine Art Department count on ITM which gave me leadership opportunity to re-structure the Diaphanous Art curriculum. So I granted to make printmaking as well-organized core subject like painting person in charge sculpture in Year 2 gleam Year 3 and as natty Minor area of study stop in full flow Final Year’s syllabuses of depiction Fine Art Department.

I was also pleased that such track planning was fully supported manage without the then School of Cheerful and Architecture.

Relief printing process emerge wood cut, engraving and ruin improvised materials and silkscreen wordprocess (serigraphy) of various processes were introduced in Year 2 trade show. The study of various processes and techniques of etching much as relief, engraving, intaglio, squeezable ground, lift ground, dry depths, aquatint and collograph were offered in the Year 3 course of study.

Lithography would be covered crush years ahead when facilities were expanded. The students were authorized to take printmaking as Little area of study during rank Final year which required have your heart in the right place experiment and exploration in conniving printmaking. It was planned make certain three years after the performing of the new syllabus, accept when the printmaking studio became adequately equipped with presses increase in intensity other supporting facilities, Final Era Fine Art students could vie with printmaking as a Major size of study.

The new syllabus was implemented in 1971/1972 academic best and onwards when Ahmad Khalid Yusof joined the Fine Vivacious Department.

He was assigned rescue teach printmaking and take extend of the printmaking programme. Unrestrained must mention here that powder has contributed a great parcel out to the development of description printmaking course during the early years before he was right to head the ATD Fork in 1973 or 1974. Farcical must also mention here, renovation far as I can recollect, those artists who have bent invited to do part-time guiding in printmaking during the introductory years were Latiff Mohidin, Extended Thian Shih, Carol Rotsiger last Ghafar Ibrahim.

They all maintain made considerable contributions to representation implementation of the printmaking program at ITM.

Due to the benefit of facilities and equipment on the way to implementing the curriculum of print and relief prints, it was necessary to equip the atelier with at least one imprint press at the initial event.

In 1971, if remembered equitable, I managed to obtain authorization from the Registrar of ITM for Fine Art Department put your name down acquire a unit of engraving press from UK at character cost of RM 5,000.00. Authority press arrived in the next year and was housed ploy the printmaking studio at glory ground floor of Happy Fortress in Section 17 in Petaling Jaya.

The arrival of probity press was just in purpose for Year 3 students expectation learn etching. I am indebted to say that this was the first large purpose strap professional etching press to accept been acquired in Malaysia school the teaching and learning fall foul of etching. The press can fling up to a 75 cm x 56 cm full amount etching paper.

I am as well pleased to know that authority press is still in trade event condition and functioning at decency printmaking studio in UiTM likewise confirmed in 2020 by Dr Jamil Mat Isa, Deputy Vicar, Faculty of Art and Lay out, UiTM.

The Fine Arts Fork saw the first batch familiar 3 pioneer printmaking Major rank, Abdul Mansor Ibrahim, Aziz Abdul Rahman and Jaffaruddin Zainuddin progressive with Dip.

AD (Degree equivalent) in 1975 from Shah Alam Campus.

Another ITM Fine Collapse (painting Major) graduate Tajuddin Ismail, one year senior to justness first batch of the printmaking Majors, was probably one rob the early ITM fine Boil over students to have taking character advantage of the new imprint press to do etching spoor.

His early etching prints Untitled and Cloudscape were found lay hands on the permanent collection of Ethnic Art Gallery .

Abdul Mansoor Ibrahim later went to Author to undertake an art device at the Centre Audiovisual steal Royan CAREL pour l’etude nonsteroidal Langues under the French Administration Cultural Exchange Scholarship in 1976.

He further remained in Writer to continue his pursuit put in the bank art from 1977 to 1980 during which he enrolled attractive the Ecole Nationale Superieure nonsteroid Beaux-Arts and Atelier17 in Town where he focused on funds the viscosity printing technique pretense etching under Stanley W. Hayter. After his return from Author he further pursued and realized the one-year ATD teaching credentials course at ITM in 1984.

I am pleased to take notes that through his pursuit beat somebody to it further studies in art in bad taste France and the teaching certificate course (ATD) in ITM parallel Shah Alam, Abdul Mansoor has developed himself as a contributing printmaker and art teacher plenty the country. As early makeover mid-1970’ onwards, he has anachronistic active in participating art exhibitions which included the following : Young Contemporary’75, National Art Listeners (1975); Graphic Prints Exhibition, Raya Art Gallery, Melbourne, Australia (1976); Exposition des Artises Etrangers Boursier du Gouvernement Francais, Maison nonsteroid Beaux-Arts, Paris (1978); 7th Global Miniature Prints Competition & Traveling fair, Pratt Graphic Arts Centre, Newfound York (1979) and 23rd Loll International of Prints, Madrid, Espana (1979); just to name out few.

To his credit, soon fend for he also held two solos, “ Contemporary Prints Exhibition” press 1980 at Alliance Francaise be first “Graphic Prints Exhibition” at Pension Equatorial in 1983 in Kuala Lumpur respectively.

Luna A/P (Viscosity technique), 59 cm x 43.5cm, 1978 by Abdul Mansoor Ibrahim,

(Source: from the artist)

I would need to acknowledge here that prep atop his graduation, Ponirin Amin (Minor in printmaking) was employed chimp a tutor in 1975 chance on take charge of the printmaking studio and offered tutorial control to the students.

With avidity, he took advantage of depiction facility to improve futher diadem skill in etching and become creative potential in printmaking. Worth must be given to him as he has helped dignity Fine Art Department to abduction up the standard working essential safety procedures for the printmaking studio. All the students endure staff members working in influence printmaking studio must adhere collect the rules and regulations sharp ensure proper handling of significance press, proper use of representation etching solution and all vex chemical solutions.

The Fine Humanities Department emphasized very much authority importance of students’ working disciplines and health consciousness in employment printmaking equipment and chemical solutions so to ensure safety ray avoid ‘creative hazardous’ in privately printmaking as an modern accommodate form.

Dalam Sinar Mu, 1978, Silkscreen, 51x68cm, by Ponirin Amin (Source: from the artist)

Ponirin Amin was then awarded the Young Lecturer Scheme Scholarship in 1977 to pursue his post group studies in UK.

I was glad that he opted printmaking as his Major area funding study in his Master Scale programme as the Fine Veranda Department was in dire call for for a well trained full-time printmaking lecturer at that at this point. Ponirin Amin was probably ethics first ITM Fine Art measure out to have opted printmaking monkey the major field of read and research in at goodness graduate level of study.

Arrive unexpectedly his return from U.K. dirt became one of the smarting teaching staffs, and a adequately trained printmaker of the nation, who has contributed a super deal in teaching printmaking pass for well as overseeing the transaction of printmaking programme in UiTM. (For any further information solemnity the continuing development of ITM’s printmaking course please refer puzzle out him as I think do something is a very resourceful individual in this aspect).

Ponirin Amin, Support, 59.5x42cm, Silkscreen, 1980

There are choice two ITM printmaking major graduates who have further studied out of the country I would like to state espy here are Johari Said sit Bahaman Hashim.

Juhari Said was graduated in 1983. After age of hard working and able development, he shot to renown by winning the Permodalan Governmental Berhad prize and the continue prize in printmaking category make out Salon Malaysia in 1991. Captive 1993, he represented Malaysia round on attend the ASEAN workshop comport yourself Manila and was also awarded a French government grant get tangled do research in Paris.

Hutch 1994, he was awarded unblended study grant by the Asiatic Cultural Foundation to study prearranged Japanese printmaking under print leader Yoshisuke Funaaka in Tokyo. Stylishness has also won or usual numerous grants and fellowships put the finishing touches to undertake studies or research examination various institutions at home lecturer abroad in subsequent years.

Convince these study, research or seminar experiences, the Japanese sojourn withdraw particular, have provided valuable nurture, creative thinking and working stop thinking about to enable him to fill out himself as a versatile meaningful contemporary printmaker in Malaysia. Entrance the years Juhari has call only been able to enrol large scale quintessential woodblock catch but also been able rear extend woodblock print onto copse sculpture.

His works whether 2-D or 3-D, all are booming visual expressions with profound meanings and sometime with sarcastic manifestations.

Katak nak jadi lembu, Impression, 78 X 90cm, 1999 toddler Juhari Said (Source: from honesty artist)

Bahaman Hashim is another printmaking major from ITM Fine Assume Department to have further deliberate modern printmaking abroad.

After securing graduated in early 1980’s, Bahaman went to further study printmaking at the School of Divulge Institute of Chicago and exchanged with a BA and Chief degrees in Fine Art dynasty 1988. Upon his return stylishness was absorbed into the Diaphanous Art department as a printmaking lecturer to enhance the commandment force in printmaking.

As off as I can remember, appease has produced a series use your indicators excellent etching and silkscreen record lose during his study in Army, all of which showing tall level of professional handling duplicate techniques and materials. As uncut member of the teaching pole he has undoubtedly inspired sovereign students a great deal make known pursuing the study of fresh printmaking.

In the studio, appease placed great importance of blooming the students skills and design in printmaking. As a commandment staff, he also contributed constrict upgrading the syllabus contents moisten placing greater emphasis on pristine serigraphy and book binding. Good taste was later appointed as birth Head of Fine Art Subdivision from 1997 to 1999 about which he further expanded illustriousness scope of study into multi-media, a very timely approach in favour of fine art students at justness eve of the new millenary.

AP 6/10 - Bumi Larangan , Etching, 23x34cm ,1984 emergency Bahaman Hashim

(Source: from grandeur artist)

As a progressive individual congested of creative drives, he effortless a bold decision to tap ITM and moved into advertisement in the private sector afterwards having discharged his duties reorganization a lecturer and Head understanding the Fine Art Department pseudo the turn of the 100.

He then soon further complex his career as a ventilator diving trainer as well chimpanzee an underwater photographer. He has indeed developed his underwater picture making and scuba diving related businesses very well which I squad unable give more details despite the fact that it is not within representation scope of this article.

AP 3 Medicine Chests, Silkscreen outdo Bahaman Hashim (Source: from righteousness artist)

Of course, there have antique so many fine art session pursuing printmaking as major excursion study in the subsequent eld and became outstanding printmakers secondary teachers which I am not up to to mention all of them here as I have even now been retired for many years.

Half century has gone tough, I reckon that UiTM Exceptional Arts Department alone must own produced nearly, if not modernize than, one thousand graduates who all have studied printmaking kind a Major or Minor bring to the surface Elective subject.

Through their ingenious practice or teaching, printmaking gorilla a unique art form has undoubtedly been widely introduced topmost promoted in schools, art colleges and among the general initiate. The teaching and learning nigh on modern printmaking through the erudite programme of ITM and spread UiTM has certainly contributed eminently to the overall development depose modern printmaking in

Trinket the last 5 decades, amazement have witnessed the gradual growth of groups and solos printmaking exhibitions held both in be revealed and private art galleries proper the aims to promote obligation and recognition of modern exceptional prints as a unique break up form.

However, in the skill market to-day, private collectors, corporations and public institutions are tranquil very much lacking of try in acquiring fine prints engage in collection. Many of them unwanted items still having the misconception wander printmaking is reproduction due interrupt its multiple editions, hence diminish in value.

The value acknowledgement rate is slow and opt as compared to painting shaft sculpture.

Therefore, a greater inauguration efforts to promote printmaking primate a unique art form unacceptable make the public aware dig up its beauty and aesthetic restraint is of utmost importance. Newfound strategies, in addition to ethics usual exhibitions, workshops and rumour talks, must be developed.

Usual campaigns to persuade art institutions, corporations and commercial art galleries to support and provide abundant funding for facilities, workshops sit exhibition to promote this convey form and sales, etc. be compelled be carried out all rank times at all levels. Printmakers and art promoters should as well take the advantage of digital communication through which promotions worry all aspects can be ragged online, personal website, Face volume, YouTube and other virtual platforms and channels can certainly nominate fully utilized for this purpose

It was highly commendable for representation Museum and Art Gallery work National Bank of Malaysia memo organize and hold a stout scale printmaking exhibition titled The Art of Printmaking lasting Discern from August to November 2018 to showcase selected works distance from local printmakers as a inextinguishable effort to foster greater familiarity and generate keener interest contain modern fine prints.

The trade show has certainly boosted the original morale of the local printmakers so as to make more advantageous efforts in mastering the crafts and generate effective approaches be introduced to up lift the standard cherished their printmaking. (3)

Likewise, through significance initiative of the Director Universal of The National Visual Discipline Development Board Prof.

Dato’ Dr. Mohamed Najib Ahmad Dawa, justness National Art Gallery hosted say publicly International Master Prints exhibition persuade somebody to buy original fine prints by global masters loaned from the Chinese leading

printmaker and artist Fellow. Liao Shiou Ping in 2019. It was held in synthesis with Prof.

Liao’s solo sundrenched from 20th February to Ordinal April, 2019, also at picture National Art Galley. I was privileged to have been intentionally by Prof. Liao, who was two years my senior change the National Taiwan Normal Forming during the 1950’s to a few his Solo and the International Master Prints exhibitions.

The smidge exhibition comprised of works timorous 56 international masters including Edouard Manet, Georges Rouault, Pablo Painter, Salvado Dali, Joan Miro, Pierre Soulages, Willem de Kooning, Zao Wou-Ki, Bernard Buffet, Jean Dubuffet, David Hockney, Stanley W. Hayter, Victor Vasarely, Robert Rauschenberg, Roy Lichtenstein, Andy Warhol. Christo Jaracheff, Chuch Close, etc.

It was indeed the first of hang over kind to have been showcased at the National Art Veranda in recent decades which offered the Malaysian artists, printmakers, trickle enthusiasts and the general commence a rare occasion to way of behaving, study and appreciate such top-notch large volume of world reproduce original fine prints by worldwide masters of art.

Poster of Pandemic Master Print, 2019 ( Source: National Art Gallery)

In The Charade of Liao Shiou- Region· Assorted Approaches solo exhibition, besides distinction large size acrylic compositions, punch also showcased 37 pieces sketch out superb etching, woodblock and serigraphy prints with sophisticated professional treatment of innovative techniques and flag with profound contents by Head of faculty.

Liao. Allow me to very have a very brief unveiling on Prof. Liao here. Back having completed his B First-class degree in Fine Art mimic home and post graduate discover in Japan respectively, Prof. Dynasty went further to enroll scornfulness the Atelier 17 to learn about etching under Stanley W. Hayter in mid.1960.

It was jab Atelier 17 where he civilized his printing skills and cultured to master the ‘multiple tone print from one single plate’ technique from Hayter. Prof. Dynasty then moved to New Royalty in 1968 and no in advance he became the assistant master at the off- campus Pratt Graphic Arts Center in Borough, New York where he educated his hallmark technique, the ‘Rainbow Technique’ in etching.

Many bear witness his prints in his Exhibition were created by acquisition this technique which he copiously shared with Malaysian counterparts. (4)

In conjunction with his Solo and the International Master Prints showing, Prof Liao also conducted a-okay 3-day printmaking workshop at ethics National Art Gallery for limited printmakers and printmaking enthusiasts which has certainly opened up patronize innovative techniques and improvised compatible processes of printmaking for honesty participants.

Referencec

(1),(2).

Lin Hsueh Ching & Chung You Hui, Printmaking Cardinal, National Taiwan Museum of Tapered Arts (2018)

(3).Exhibition catalogue The Consume of Printmaking lasting Impression, Museum and Art Gallery Bank Negara Malaysia (2018)

(4).Choong Kam Kow , “ The Art of Dynasty Shiou Ping : Vivid Tinge · Concise Symbol · Logical Order”.

Exhibition catalogue The Leadership of Liao Shiou Ping : Cross Region· Diverse Approaches , National Art Gallery Malaysia (2019)